Fat pants!


click for archives!

A brief reminder to new readers that the archives consist of the first quarter of the story, which will remain online, and then the most recent month’s worth of strips. I’m limiting the archives as part of my print deal with Dark Horse Comics.

Now, that whole “daily” thing I said I was gonna try with Life With Leslie didn’t really pan out, did it? Would you settle for every-couple-monthsly?



And finally, a little drawing I did of myself making a funny face. I think I’ll use it as my new LJ icon.



I debated putting these things in three different posts, but I figured it’d be easier to do one big monster post.

Oh, and thanks to everyone who wrote to help me with my scanner problem.  Turns out I’m the world’s dumbest idiot, and I thought that serial and SCSI were the same thing.  I’ve got a SCSI scanner and a serial adapter.  What I actually need is a SCSI-Firewire adapter, but after effectively just throwing my money away by buying that adapter and a few cables, I can’t really afford to pick that up for another month or so…  sigh.  Back to scanning on the G3 and using the network to transfer it to my Mini. 

Scanner Trouble; or Why SCSI Was Maybe Not Such a Good Decision

So I decided to take the opportunity of the CompUSA locations near my apartment closing to buy the equipment I need to run my scanner from my year-old Mac Mini.  I bought my scanner at the same time as my first post-college computer, and that’s still what I’m running it on, since in 1999 firewire wasn’t yet prevalent and I wanted a faster connection than USB between my computer and my scanner, so I bought a scanner with a SCSI connection but no USB.  What this means, however, is that I can’t run it on my Mini, so I end up having to boot up the old computer and scan with that, then transfer the file via the house ethernet network to my Mini so I can work on it.  Not the optimal solution!

So I went over to CompUSA to see what I could see.  I found a Keyspan serial to USB adapter, and I figured that’d be fine.  It had a db9 connector, though, so I got a db9 to db25 adapter as well.  My scanner hooks up to the old computer via a db25 to a centronics 50 port on an old CD burner, then from another centronics 50 on the burner to a micro db50 on the scanner.  It’s complicated, but it works on the G3.  I hooked everything up to the Mini, and everything seems to be connected, but the scanning software can’t find the scanner.  I’m wracking my brains trying to figure out what the problem is, but I just can’t find it.  The serial port is active, since it’s showing up in my system profiler, but the software doesn’t seem to be able to talk to the scanner through it.  I’m going crazy over this.  Anyone know what the problem might be?

(I know the easy answer is to replace the scanner, but it’s a really good quality scanner [Epson Expression 800] and I wouldn’t be able to get a comparable one for less than three hundred dollars.)

Heck!


click for archives!

Run away!


click for archives!

We didn’t think this through very well.


click for archives!

This’ll burst into color by sometime tomorrow. I’m busy!

edit:  Okay, it’s in color now.

Look at my drawings!

Perhaps this will seem weirdly obsessive, (though I am nothing if not weirdly obsessive) but it’s been bugging me that the Jonny Crossbones page breaks are happening in the middle of the week. To correct this, I’m posting this photo walkthrough of my drawing process over the course of page 38 instead of a new strip. Click on the picture to see it! Page 41 will proceed on Tuesday.

Art Supplies!

A response to ’s art supply meme.

These are the supplies I generally carry around with me. Sometimes I carry the drawing board on the bottom, but not usually. Here’s what they are:

1. A fairly cheap 11×14 inch sketchbook I got somewhere. I’m extremely rough on my sketchbooks, and the spine was coming apart at the corner so I taped it up. The tape is coming off now. I put stickers on it for identification purposes when in a big pile of my and my roommate’s sketchbooks.

2. My trusty “ArtBox.” I’ve had this for about ten years or so. It holds a bunch of stuff. It’s got stickers for the Insomniacs and the Suicide Machines on it because I was totally punk rock in college, yo.

3. I don’t know why I’ve got these sharpies. I don’t really use sharpies for anything other than labeling DVDs and stuff. But they were in the ArtBox, so in the photo they go! I also carry around a utility knife for trimming paper and stabbing hobos. I try to remember to take that out of the box when I ride on airplanes.

4. A 12-inch “C-Thru” aluminum ruler with a cork back and an inking edge. It is decidedly not see-through, but it gets the job done.

5. Eraser brush! I try to keep this with me to battle the scourge of eraser gribblies. Otherwise the gribblies get ground into the paper and all over my pants and nobody’s happy.

6. Pencils! I’ve currently got two “crimson red” Col-Erase, one non-photo blue Col-Erase, a very shiny holographic pencil that seems to have come from Puget Sound Electrical, a regular old HB .5mm mechanical pencil, and my dearest love, a 4H Tombow Homo-graph.

I use the red pencils for sketching, mostly. I like the smoother feel of them, it loosens me up. I use the blue one for drawing perspective grids, and pretty much only for drawing perspective grids. I don’t use the shiny pencil for anything, but it’s awful shiny. The mechanical I use for laying out panel borders and for finishing red-pencil drawings on occasion. I use the 4H for almost everything else, because I like how light the pencils are– I barely have to erase at all.

The mechanical and the 4H have those pads on them because I grip my pencils way too tight and it helps soothe my tender fingertips. Since those two are the pencils I use the most, they’re the only ones with the pads.

7. Pens! Pens from many lands. Up at the top is my Pentel Pocket Brush Pen, which I have previously hailed as mankind’s greatest invention. I love it desperately. Also nice is that the non-refillable cartridges are easily refillable with Rapidograph ink. Since I haven’t used my Rapidographs in six or seven years, it’s nice to have something to do with that ink.

I carry a large contingent of Micron pens as well. I have them in the Graphic 1, 08, 05, and 03 sizes. I don’t generally use anything smaller. I have two of most of them, since I like to have a fresh one and one that’s starting to dry out, since the line quality changes as the ink runs out. You can get a little more line variation out of a semi-dry one, so I like those best. In order to keep straight which one is which, (and also because I have sweaty, sweaty hands and the labels get smudged off in short order) I put a little label on a piece of masking tape at the end of each marker so I know which is which. The current lineup:

Graphic 1 - “Liner” I only have one of these at a time because I only use them for ruling panel borders anyway.
08 new - “Don Piano”
08 dry - “Gut”
05 new - hmm, I haven’t labeled this one yet.
05 dry - “Dodongo”
03 dry- “O.G.” I need to get a new one of these.

I also have a Uni-Ball vision micro. I don’t really use it, but it’s good for sketching sometimes.

8. Erasers, white-out and a pencil sharpener. I’ve got a few different Magic Rub erasers. For some reason they all have different consistencies and work well for different jobs. I dunno. I use all of them. I like the white-out with the little wedge brush. I don’t use it all that often but it’s nice to have. People tell me it’s bad and stuff but it works for me. I just picked up that pencil sharpener yesterday for seventy-nine cents, and it works very nicely. I had one of those little metal ones, but the blades got dull and it didn’t have any way to catch the shavings. I like this one better.

Oh, there’s also a pad of Bristol I forgot to mention. I like the Strathmore series 400, but it’s impossible to find in pads here in Portland, so I pick up the 300 series pads for on-the-go work. I have to buy the 400 in 22×30 inch single sheets, and those aren’t very portable.

Jonny Crossbones 03-06


click for archives!

Middleman Artist Search!

So we’re looking for an artist to handle a backup in the new Middleman book. Here’s a press release:

For Immediate Release:
Contact: Jason M. Burns
burns.viper@gmail.com

Viper Comics Announces Artist Search for Latest Installment of ‘The Middleman’

Winner of Pin-Up Contest to Draw an Excerpt of the Upcoming Graphic Novel!

March 5, 2007: If you’re an artist in search of your big break, it’s time to pull out your pencils and put on your game face with the announcement of Viper Comics’ latest pin-up contest. The brainchild of The Middleman writer/creator Javier Grillo-Marxuach and artist Les McClaine, aspiring pencilers will compete for the chance to draw an alternate ending in the upcoming third installment of the critically acclaimed series due to premiere at San Diego Comic Con later this year.

Those artists interested in participating are asked to submit a fully colored pin-up featuring characters from existing Middleman storylines as well as two pages of sequential samples by March 28, 2007. The top three submissions received (as judged by Grillo-Marxuach and McClaine) will be printed in the pages of the The Middleman: The Third Volume Inescapability. The grand prize winner will receive masthead credit alongside of the creators and will be chosen to draw the alternate ending to the latest installment of the series, which has been scripted by Grillo-Marxuach, writer/producer of NBC’s Medium and former writer/producer of ABC’s Lost.

“This is a huge opportunity for an aspiring artist to get noticed and hopefully, jumpstart a career,” says Viper Comics President Jessie Garza. “The Middleman has been so well-received throughout the industry that we think this is a great way to expose new talent that, for whatever reason, has yet to been given a chance. It’s our hope that we can give someone the break they’ve been looking for.

In the third installment of the series, The Middleman and Wendy return in an all-new adventure that redefines “shocking destiny” — and NOTHING will be the same after the uncompromising finale! Including a dizzying alternate ending (as drawn by you), a stunning sketch gallery and a twisting collection of fan art, The Third Volume Inescapability will change The Middleman forever!

Those interested in submitting a pin-up to the contest should send jpg or pdf files to middleman@vipercomics.com by March 28, 2007. Winners will be announced on April 2, 2007 at www.vipercomics.com.

The Middleman: The Third Volume Inescapability will ship to stores in July.

For more information on The Middleman and Viper Comics, visit: www.vipercomics.com.

sketchblog 03-04-07

So I’ve been coming up with some concept work for a short story I’m planning to do in the next week or so for an anthology. The idea is a sort of a fantasy western where everyone’s a rock musician and duels are fought with guitars instead of guns. I drew this panel to get a feel for the kind of style I want to use. I want to go with a stylized color palette like this one. What do you think? I like the chalky texture I got there. There’s also supposed to be a big “BRANGGG” sound effect there but I didn’t put it in because I’m tired. I’m also trying to decide if I want to go with a pen style like the one I used in this panel or with a brush. Brush might make it a little rounder? But the designs are kind of stylized. Help!

I also did up some character designs. The plot involves a lone guitarist coming to town to take care of a band of outlaws. I like most of them, but I think the bassist and the lead guitarist need a little work. The fun part is getting reference and drawing all these neat guitars. The hard part is striking a balance between rock ‘n roll and cowboy styles.


edit:  I’m looking at this after posting and I think the problem is that the two guys on the right look like sort of filthy rock ‘n roll dive-bar types and the two on the left look like clean studio-musician types.  I need to grunge them up a bit.  Work on that after some sleep.